Preface
My
home city of Mysore is featured as a major tourist attraction in one of my
earlier blog posts [See: 20) On my home
turf - Mysore the City of Palaces - Personal Photo Album Part 6 (Feb 11)], with the accent largely on its numerous
palaces. The most famous of these
palaces is of course the one in the heart of the city, called Amba Vilas Palace. For most people it is just the Palace of Mysore. As a tourist attraction it is one of the most
beautiful sights anywhere in the world, especially when fully illuminated at
night, and only the Taj Mahal in Agra seems to attract more tourists in the
country.
The
city and its palace come alive during the 10-day annual Dasara (grotesquely spelt as Dusserah
in some parts of the country) festivities and draw huge crowds from all over
the country and abroad to partake of its cultural activities culminating in a
grand procession on its thoroughfares starting from the palace on the tenth (Vijayadasami) day. The central attraction of this procession is
a huge elephant carrying the idol of goddess Chamundeshwari seated in a golden throne, symbolically proclaiming
the victory (vijaya) of good over
evil. The preceding days are highlighted
by numerous cultural and other festivities of different kinds in and around the
palace complex. Nightfall is heralded by
the breathtakingly beautiful illumination of the palace complex and prominent
places in the neighborhood, turning the city into a veritable dream world
worthy of any fairy tale.
The
festivities inside the western wing of the palace are marked by the traditional
durbar (court) held in the olden days
by the ruling maharaja, with the
tradition now being kept alive ceremonially by the present descendent of the
ruling Wodeyar dynasty. Special invitees and visitors to the durbar cannot but be enthralled by the magnificent
pomp, pageantry and splendor associated with the whole ceremony, again reminiscent
of a magical world in a bygone era.
The
following pictures, most of them shot in
situ with my brand new Canon EOS 1100D DSLR camera by my son-in-law Mr S M
Ramesh on one particularly glorious night earlier this week, tell a story of
their own. All of them were taken with
the camera hand-held and without flashlight, testifying to his considerable
photographic skills and experience. He
was accompanied by Chiranjeevi who also provided me one of the pictures.
[All pictures are in high resolution and can be blown up to their
full size by clicking on a picture and opening it in a separate window]
The Palace
The
main entrance to the palace complex is through the sprawling eastern gate
though this is the least used of the three public gates to the complex, the
other two being to the south and the north.
Here is a distant view of the palace seen through this gate, both
brightly illuminated, with the unavoidable silhouettes of the spectators in the
foreground spoiling the view somewhat:
The
next picture takes the viewer inside the complex and reasonably close to the
palace to give a better panoramic view of it.
This
view is again spoilt somewhat by the temporary structures put up for the
ensuing last day procession. While these
may have been necessary, the same cannot be said of the numerous flags that
serve only to signal their purposeless presence.
The
next picture captures the whole of the palace from a vantage point near the
southern gate, one of the best such points in the palace complex.
Inside the Palace
The
interior of the palace is indeed a place straight out of one’s dreams, the
craftsmanship so unique as to defy comparison with other such great architectural
wonders of the world. Here is a
magnificent picture of the interior of the durbar
hall, with the rather ugly and large screen at lower left spoiling the view significantly.
The
next picture shows a portion of the interior with three of the great doors all
wide open and showing the intricate inlay work on and around them. The middle door is made of pure silver and
the other two of wood inlaid with ivory.
The
next picture highlights the intricately beautiful ceiling over the fabled gold
throne that takes the centre stage.
Here
is the spectacular Durbar Hall, with
the gold throne at the far end, awaiting the ceremonies to begin:
The
next picture shows another view of the Durbar Hall before the durbar began,
with visitors filling up the viewing space on either side. It also captures a close up view of one of
the great chandeliers seen so plentifully inside the palace.
The golden throne that the Maharaja of Mysore
used to occupy in the (g)olden days of the kingdom is perhaps the most visible
symbol of the grandeur permeating the palace.
Here is a picture of it sometime before the present descendant of the
royal family ascended it to herald the now purely private and symbolic ceremonies
of the day.
The
throne is liberally bedecked with flowers and an idol placed in front in
keeping with tradition. It is an even
greater visual spectacle without these trappings on any other day. The next picture is a close up view showing
the throne with its overhanging grand canopy.
The
next picture highlights the rich architectural splendor of the ceiling of one
of the long corridors in the palace.
Here
is a picture of another corridor containing a variety of artifacts both along
the wall and the floor. The large one in
the foreground accentuates the scene remarkably well.
The
next picture is a view of the famous octagonal marriage hall highlighting the
pillars and the floor.
The
interior walls of the marriage hall are lined with rich tapestry and oil
paintings, many of them depicting the last day (Vijayadasami) events just outside the palace. Here are two such paintings:
Outside the Palace
A
number of places and structures surrounding the palace are also brightly
illuminated as part of the Dasara festivities.
The following picture shows the richly illuminated statue square just
outside the northern gate of the palace, with the palace itself visible in the
background.
Further
north of the statue square is the clock tower, another enduring, even if ill
preserved, symbol of the city. Here is a
picture of it looking towards the palace with a main road and its traffic on
the left. Rather surprisingly it shows
the correct time, something I am noticing for the first time.
The
next picture captures the whole of another great statue square (K R Circle) on
the northwestern end of the palace ramparts from atop a nearby building.
The
city municipal corporation headquarters located towards the southwest of the palace
complex is a dazzlingly and colorfully illuminated building, captured in the
next picture.
Crawford
Hall, headquarters of the University of Mysore, one of the oldest universities
in the country, is very tastefully and modestly illuminated as can be made out
in the next picture.
The
next picture, capturing a building to the south of the palace complex, is
interesting as much for its illumination as for the signboard on the bus that
appears to have come to a halt when this picture was taken.
The
last picture of this album fittingly captures one of the numerous illuminated
fountains (Hardinge Circle) in the city, a city that erupts into a riot of
light and color at night during the celebrated Dasara festivities every year.