Prologue
My post on the great banyan trees in
the Mysore University campus in Manasagangothri a year ago [see: Post 25 (May 2011)], drew enthusiastic
attention from many netizens of Mysore, including some who actually performed
the walking tour of the campus suggested therein. I had stated that the great tree shown in
picture 13 ‘takes the second rank
among a list of heritage trees identified in the city and its
neighborhood’. Many people wanted to
know which was the one ranked first, though obviously it was not part of the
university campus. The answer is
provided in this sequel to my earlier post.
But, before doing so, I want to delve into some very unpleasant and
disturbing developments for nature lovers taking place in the campuses of Manasagangothri
and the neighboring Karnataka State Open University (KSOU).
Legalized Vandalism
One reason for
the salubrious environment of the Mysore University Manasagangothri campus has been the rich
vegetation and greenery, interspersed with large open spaces, including the
banyan trees I have alluded to. Several
locations are distinctive for their dense formations of trees that had grown unfettered
by human activity ever since the campus was created. Perhaps the best such formation had come up
in the northeast part of the campus, adjoining the Mysore-Hunsur highway,
opposite the KSOU. It was quite a dense
formation with no pathways inside where one felt like being surrounded by a cozy
little forest. Now most of it has been
reduced to rubble in the name of campus development, with a number of ugly
buildings under construction, thoroughly destroying the beauty of the
place. The following pair of pictures of
a portion of the same place, the first one taken eight years ago and the second
just a fortnight ago, tell their own story.
Why this kolaveri ji…? Surely there were other less environmentally
damaging places within the sprawling university campus for such constructions
without having to destroy so much of pristine nature.
[As in my previous
albums, all pictures are in high resolution and can be blown up to their full
size by clicking on a picture and opening it in a separate window]
Also uprooted mercilessly
is a row of banyans lining one side of the road opposite the KSOU main building
to clear space for the new constructions.
It is pyrrhic consolation for me that I had photographed these trees (for
example, see picture 12 in my post on the banyans of Manasagangothri) before
they were felled. Some of the remains of
this massacre are still lying scattered and uncleared at the construction
site. They don’t even seem to deserve a
decent disposal. I couldn’t believe that
so much of legalized vandalism had occurred so speedily in the name of
development. In my earlier post I had
said, “The mindless felling of trees resorted to in the name of ‘development’
should be regarded as a crime against humanity”. I continue to hold such a view, but who is to
identify the criminals and how to bring them to justice?
It is
irrelevant for what purpose and who is constructing these concrete and steel monstrosities
at the expense of unsullied nature? What
matters is that the destruction has been carried out in utter disregard of any
sane voices that may have been raised against it (I am not even aware if any
voices were indeed raised) and people who matter have carried out this
outrageous rape of the micro ecosystem. The
way they seem to have got away with it, one wonders how long it will be before
the other locations come under the bulldozers.
Let me now get
back on track to the main purpose of this writing and take the readers on a
photographic tour of two marvelous gifts of nature to a largely undeserving
humankind.
The Big Banyan near Mysore
Here is a full
view of the gigantic top-ranked banyan tree in the neighborhood of Mysore,
located about 8 km from the city on the road to T’Narsipur, a short distance
beyond the famous Lalith Mahal palace
hotel on the outskirts of the city.
I took this
picture one brilliantly sunny evening a few months ago when I visited it with
my constant companion Chiranjeevi who also shares my interest in nature. To encompass the whole of the tree I had to
move back a considerable distance unobstructed, which was luckily
possible. The next picture shows the
tree at close range, with Chiranjeevi on the left and an old gentleman who
introduced himself to us as Mr Chikkamadaiah, the owner of the land on which
the tree lies and the protector of the tree itself. The wooden signboard carrying the bilingual
description “Heritage Tree-1, Devara
Aalada Mara” on the right also gives out this information.
The signboard
standing on the left in effect says that visitors are in the presence of God Muneswara and should not approach the
little improvised temple (not seen in any of my pictures) to its right with
their footwear on! This may not be
entirely out of blind belief. It also
appears to be his psychological ploy to protect the place against vandalism from
people who are fortunately often swayed by such considerations, as also to
raise some funds for the upkeep of the place, incidentally ensuring a small
return as well on his investment. The
excellent condition of the tree and the quality of upkeep of the place testify
to the success of this strategy.
The next
picture shows a very long horizontal branch jutting out of the tree threateningly
towards the camera, with the protector under it. Banyan trees are well known for such
spectacular and bizarre features.
The next
picture is a close-up of the lower part of the tree showing a large number of
horizontal outgrowths all around, with bright sunlight accentuating these
features.
The following
picture captures the tree from another angle and a distance somewhat half way
between the previous one and the first shot showing the whole of the tree. The two visitors and the omnipresent
protector in the picture give an idea of how big the trunk itself is. It also captures the distinctively large and
fresh glossy leaves of the tree from close range at the upper right and
elsewhere.
I like the next
picture taken by Chiranjeevi at his insistence as much for the rich detail seen
in soft direct sunlight in a late evening sky as for showing me in unusually
favourable light on, what is for me, the wrong side of the camera.
My last picture
of this marvelous gift of nature, which the ‘protector’ chose to call God’s banyan tree, shows a small part of
the tree highlighting some of its dense foliage seen at upper right, something
that often goes unnoticed amidst the more spectacular bare trunks and branches
that are also seen in the picture at lower left.
The Big Banyan near Bangalore
Called the Dodda Alada Mara in Kannada, meaning the
Big Banyan Tree, this is a major tourist attraction of international standing, located
about 30 km from Bangalore, about 8 km off the Bangalore-Mysore highway, and is
one of the largest of its kind in the country.
Its location can be easily ascertained from a Google map. It is reachable by an excellent road which
runs all the way to the ISRO Deep Space Network facility at Byalalu, a few kilometres beyond the
tree complex and even visible from that location.
Spread over an
area of 3-4 acres, the Big Banyan Tree certainly doesn’t appear to be a single
tree or even derived from one. Instead,
it appears to be a large cluster of closely spaced individual trees, all
appearing to be independent of each other, but in reality all derived from just
one over a period of what may be several centuries. In contrast, the tree near Mysore is one
gigantic single tree.
When I visited
the place last month for this photo album, the area immediately surrounding the
cordoned off enclosure was incredibly filthy and spoilt, with garbage strewn
all around, apparently because of some senseless partying the previous
evening. I am suppressing a strong temptation
to present a picture of this utter chaos here.
Things were considerably better inside, though there was plenty of
telltale evidence of the happenings of the previous evening even here. My first picture shows a view to the right of
the arched entrance showing four signboards giving some information about the
place and a list of prohibited activities inside. Unlike the Mysore tree, it was impossible for
me to capture this big banyan tree complex in its entirety. There was no building or structure nearby
tall enough to give such a view.
The caretaker
inside showed me the location of the mother tree that had apparently given rise
to all the secondary and tertiary trees.
He told me that it had decayed and fallen off some years ago. Here is a picture of what is left of it now:
Here is a
spectacular view of a part of the interior, with emphasis on the long
horizontal branch which is so long and heavy as to require a man-made prop to
hold it in place as can be seen at lower left.
The following
is another view of the same region, from a different angle, showing the prop
closer and more prominently. The immense
bulk of the horizontal branch stands out vividly.
The next two pictures highlight how the
laterally spreading prop roots dropping down from any fully grown tree are
assisted by some thoughtful human intervention to dig down into the ground
through cylindrical columns of soil held in place within metal meshes or
otherwise and watered frequently. This
is how what may have been just one tree a long time ago has multiplied itself
into quite a large number now, and will continue the process in future as
well. Three instances of these are
clearly seen in each picture.
Vandalism is a favourite human pastime,
especially where historic sites and remnants of the past are concerned. I could see plenty of evidence of this
here. The following picture shows
evidence of a particularly vicious act of vandalism on the huge tree trunk at
the left. These hieroglyphics must have been carved long ago, when people were
supposedly more civilized, as a legacy for posterity when the trunk was young
and at an accessible height, for I cannot think of anyone today taking the
trouble to climb so high and inflict such wounds. One can’t help noticing how beautiful overall
the sight still is despite these ugly scars.
A place like this is a natural attraction for
solitude or quiet company as is evident in the following picture exuding great
serenity:
Banyans are noted for their grotesquely
twisted branches and trunks and the following two pictures highlight samples of
these:
For the most part the enclosure containing the great cluster of banyans pictured here is well maintained, with paved pathways for leisurely strolls. The next picture is illustrative of this.
No such prominent place in the tourist map of
the country goes without the ubiquitous temple to whose resident deity all good
things in the place are ascribed. Here
is the temple housing God Muneswara
in a proper building, unlike the one near Mysore which was an ingenious
improvisation, cut into the tree trunk itself.
However, the designers and builders of this temple never seem to have
thought about the aesthetic and architectural aspects of it in a natural
setting like the fabulous banyan tree complex.
Just minutes before this picture was taken I
had observed an old, rustic and distraught woman in rags and tears loudly and
vehemently pouring out her grief on some personal problems, and beseeching Lord
Muneswara’s intervention. It was too
touching for me to capture with my camera.
Tailpiece
Referring to the great banyan tree
(picture number 20) in the Sericulture department of the University of Mysore
in my earlier blog, I had pointed out how a rubber tyre stuck up in the tree
spoiled the beauty of it and constituted a mindless human handiwork. One of my knowledgeable and learned readers
wrote to me to say that, “The tyre in the last
photo may be the remnant of the exhibition material used during the golden
jubilee … I remember to have seen a giant model of the silk worm somewhere
there…” Of course he was trying to give
an explanation for what I had observed, not a justification. If the model of the silk worm had been
subsequently removed and not the rubber tyre, I am afraid it amounts to an even
greater act of mindlessness, neglect, and disregard.
Well writte. Imagine, how the road where 'Saalu Marada Thimmakka' has planted nearly 1000 trees may look after some 100 years (assuming that they will not be removed for widening the roads)
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